<H1> EMULSIVEfilm.photography </H1> |
<H1> EMULSIVEfilm.photography </H1> |
<H1> EMULSIVEfilm.photography </H1> |
<H1> EMULSIVEfilm.photography </H1> |
<H2> LATEST ARTICLES </H2> |
<H2> Latest film camera reviews </H2> |
<H2> Film photographer interviews </H2> |
<H2> Latest film stock reviews </H2> |
<H2> Featured Projects </H2> |
<H2> In the darkroom </H2> |
<H2> 5 Frames... </H2> |
<H3> A guide to Simple, effective and CHEAP macro photography </H3> |
<H3> 65 photographic projects you can do when you’re stuck at home </H3> |
<H3> What is exposure? How to use light meters in film photography </H3> |
<H3> How-to: Your ultimate guide to printing a photography zine </H3> |
<H3> How to shoot expired film or, no you do not need to add one stop per decade </H3> |
<H3> A guide to Simple, effective and CHEAP macro photography </H3> |
<H3> 65 photographic projects you can do when you’re stuck at home </H3> |
<H3> What is exposure? How to use light meters in film photography </H3> |
<H3> How-to: Your ultimate guide to printing a photography zine </H3> |
<H3> How to shoot expired film or, no you do not need to add one stop per decade </H3> |
<H3> A world-first? Creating a traditional wet plate portrait over the internet from 4,000 miles... </H3> |
<H3> Squaring the circle: Polaroid rises from the ashes of The Impossible Project </H3> |
<H3> 5 Frames… Getting to know my Mamiya RB67 on Fomapan 100 Classic (EI 100 / 120 format / Mamiya RB67 Professional S) – by... </H3> |
<H3> A world-first? Creating a traditional wet plate portrait over the internet from 4,000 miles away </H3> |
<H3> 5 Frames… On my father’s last day at work on Kodak Portra 800 (EI 400 / 35mm format / Pentax Spotmatic II) – by... </H3> |
<H3> Lessons learned from 828 frames of 35mm film shot in India </H3> |
<H3> 5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 35mm format / Canon EOS 1000FN) – by Adam Smith </H3> |
<H3> My first roll… Of 35mm film (Fuji Superia X-TRA 400) – by EMULSIVE </H3> |
<H3> 5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Nikon F3) – by Eric Pike </H3> |
<H3> Squaring the circle: Polaroid rises from the ashes of The Impossible Project </H3> |
<H3> Stuck at home? The “Stuck At Home Photography” blog has you and your creativity covered </H3> |
<H3> 5 Frames… With a Liquid Cyanotype Kit on Fluid Cold Press Finish Watercolor Paper – by Monika </H3> |
<H3> A guide to Simple, effective and CHEAP macro photography </H3> |
<H3> 65 photographic projects you can do when you’re stuck... </H3> |
<H3> Global film photography survey: Your help needed </H3> |
<H3> 5 Frames… Getting to know my Mamiya RB67 on Fomapan 100 Classic (EI 100 / 120 format / Mamiya RB67 Professional S) – by... </H3> |
<H3> A world-first? Creating a traditional wet plate portrait over the internet from 4,000 miles away </H3> |
<H3> 5 Frames… On my father’s last day at work on Kodak Portra 800 (EI 400 / 35mm format / Pentax Spotmatic II) – by... </H3> |
<H3> Lessons learned from 828 frames of 35mm film shot in India </H3> |
<H3> 5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 35mm format / Canon EOS 1000FN) – by Adam Smith </H3> |
<H3> My first roll… Of 35mm film (Fuji Superia X-TRA 400) – by EMULSIVE </H3> |
<H3> 5 Frames… With ILFORD HP5 PLUS (EI 400 / 35mm format / Nikon F3) – by Eric Pike </H3> |
<H3> Subscribe to email updates </H3> |
<H3> CatLABS X-Film 80 with the ONDU 612 MULTIFORMAT pinhole camera or… how to screw up a roll and learn to love the mistakes </H3> |
<H3> The best (and worst) film cameras of the 1990s </H3> |
<H3> Building the Goodman One: A homemade, 3D printed plastic fantastic (review) </H3> |
<H3> The mighty Fujica Panorama G617 Professional camera review </H3> |
<H3> GAS and the “wrong” camera: Skateboarders with the Pentax 6×7 in Singapore </H3> |
<H3> A complete guide to the Mamiya RZ67, part five: conclusion and personal stories </H3> |
<H3> Building a point and shoot 6×17 camera: the TwoFourths DIY camera kit </H3> |
<H3> The mighty Salyut-S; Or how I learned to love a Hasselbladski </H3> |
<H3> A complete guide to the Mamiya RZ67, part four: maintenance and miscellaneous accessories </H3> |
<H3> Add to queue: Interviewing Roger Lowe (Shoot film like a Boss) </H3> |
<H3> EMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film </H3> |
<H3> EMULSIVE interview #213: I am Ryan HK and this is why I shoot film </H3> |
<H3> Add to queue: interviewing Ted Vieira </H3> |
<H3> EMULSIVE interview #212: I am Alys Tomlinson and this is why I shoot film </H3> |
<H3> EMULSIVE interview #211: I am Graham Spinks and this is why I shoot film </H3> |
<H3> EMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film </H3> |
<H3> Add to queue: interviewing Nick Carver </H3> |
<H3> EMULSIVE interview #209: I am Paulo Monteiro and this is why I shoot film </H3> |
<H3> CatLABS X-Film 80 with the ONDU 612 MULTIFORMAT pinhole camera or… how to screw up a roll and learn to love the mistakes </H3> |
<H3> Kodak T-MAX 400: An honest film stock review </H3> |
<H3> What I’ve learned from my LomoChrome Purple XR 100-400 experiences: A user’s guide </H3> |
<H3> B&W pinhole photography with the Vermeer 6×12 and 120 format Kosmo Foto Mono 100 </H3> |
<H3> Film stock review: Fujifilm FUJICHROME Velvia 50 Professional (RVP 50) </H3> |
<H3> Shooting expired Kodak EKTACHROME 100 in 220 and 4×5 format: why I’m excited medium and large format is coming back </H3> |
<H3> Stuck at home? The “Stuck At Home Photography” blog has you and your creativity covered </H3> |
<H3> Measure twice, cut once: building my multi-format 8×20, 16×20 and 12×16 camera </H3> |
<H3> Book: A place to be – by Tim Heubeck </H3> |
<H3> A world-first? Creating a traditional wet plate portrait over the internet from 4,000 miles away </H3> |
<H3> Making “VIRUS”: A tintype stop motion animation </H3> |
<H3> Behind the scenes with Saoirse Ronan, Timothée Chalamet and the cast of Little Women on 1860s wet plate photography + photographer Q&A </H3> |
<H3> 5 Frames… Getting to know my Mamiya RB67 on Fomapan 100 Classic (EI 100 / 120 format / Mamiya RB67 Professional S) – by... </H3> |
<H3> 5 Frames… On my father’s last day at work on Kodak Portra 800 (EI 400 / 35mm format / Pentax Spotmatic II) – by... </H3> |
<H3> 5 Frames… With Fujifilm Fujicolor Pro 400H (EI 400 / 35mm format / Canon EOS 1000FN) – by Adam Smith </H3> |
<H4> Search EMULSIVE </H4> |
<H4> Curated resources </H4> |
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